Ana Beatriz Nogueira est actrice, réalisatrice et mélomane. Pour parler de sa carrière primée au théâtre et au cinéma, elle présente au programme une collection de vedettes : Villa Lobos (O Trenzinho do Caipira), Noel Rosa (Feitiço da Vila), Carlos Gardel (Gira Gira) et Dalva de Oliveira. (Ave Maria do Morro). La bande originale musicale couvre des sujets tels que le film Vera, qui lui a valu l’Ours d’argent en 1987 ; l’expérience sur scène ; le théâtre qu’il a installé chez lui pour diffuser des pièces en ligne, Teatro com Bolso ; et la réalisation du monologue À la recherche d’une dignité, basé sur le texte de Clarice Lispector et magistralement interprété par Sandra Pêra. Depuis lors, sa carrière comprend, outre plusieurs autres récompenses, plus d’une douzaine de films, 17 œuvres télévisées et 14 pièces de théâtre. parmi eux « Une relation pornographique », de l’Iranien Philippe Blasband et réalisé par Victor Garcia Peralta ; les solos « Tout ce que je voulais te dire », sur des textes de Martha Medeiros, mis en scène par Victor Garcia Peralta et « Um Pai (puzzle) », d’après un livre de Sybille Lacan et mis en scène par Vera Holtz et Guilherme Leme Garcia ; « Les Trois Sœurs », de Tchekhov et réalisé par Bia Lessa ; « Parle doucement, sinon je crierai », de Leilah Assunção et réalisé par Paulo de Moraes ; « Le lecteur d’heures », de l’Espagnol José Sanchis Sinisterra et réalisé par Christiane Jatahy ; « La mémoire de l’eau », de l’Anglaise Shelagh Stephenson et mise en scène par Felipe Hirsch, parmi de nombreuses autres productions. Son travail le plus récent était dans le feuilleton de 21 heures, « O Sétimo Guardião », d’Aguinaldo Silva, sur TV Globo.
Jacqueline veio para o Brasil ainda adolescente, acompanhando o pai que era jornalista ( 17 de junio de 2024 – lamentablemente falleció). Entre 1955 e 1957, participou da primeira turma da FBT (Fundação Brasileira de Teatro), ingressando posteriormente em O Tablado e A Comunidade.Depois de passar quase toda sua carreira na Rede Globo, em 2010 foi contratada pela Rede Record para atuar na telenovela Ribeirão do Tempo. Sua passagem pela emissora foi breve. Logo em 2011, assinou um novo contrato com a Rede Globo, para atuar na telenovela Aquele Beijo, de Miguel Falabella. Francesa de Marselha, Jacqueline Laurence veio para o Brasil na adolescência e, entre 1955 e 1957, integrou a primeira turma da Fundação Brasileira de Teatro (FBT), escola de Dulcina de Morais, onde foi aluna de Adolfo Celi, Henriette Morineau, Gianni Ratto, Maria Clara Machado, Ziembinski e da própria Dulcina. Continuou sua formação no Tablado, atuando com destaque em diversas montagens dirigidas por Rubens Corrêa, Yan Michalski e pela fundadora do próprio teatro-escola, Maria Clara Machado. No final dos anos 1960, fez parte do grupo A Comunidade, de Amir Haddad, que a dirigiu em O Marido Vai à Caça, de Georges Feydeau (1971) – montagem que lhe garantiu prêmio de Melhor Atriz. Tem seu talento para a comédia reconhecido pelos críticos. Em 1982, recebeu o Troféu Mambembe como Melhor Atriz por dois trabalhos: Madame de Sade, de Yukio Mishima, e As Criadas, de Jean Genet. Em 1984, passou a atuar também como diretora, assinando espetáculos estrelados por Fernanda Montenegro e Miguel Falabella, entre outros. Ainda na década de 1980 se envolveu com o chamado teatro besteirol, que invade a cena carioca. Na TV, fez sua estreia em 1972, na novela Uma Rosa Com Amor, já tendo atuado em cerca de trinta produções; no cinema, fez mais de uma dezena de filmes. A atriz começou em televisão, em 1968, na famosa novela: ” Antônio Maria”, de Geraldo Vietri, na TV Tupi. Depois ela passou para a Rede Globo e em 1972, participou de ” Uma Rosa Com Amor”. Em 78,fez: “Dancin’Days”, novela que também marcou época. Em 80, fez: ” Água Viva” e ” As Três Marias”. Em 82: “Sétimo Sentido”.Em 1994, Jacqueline Laurence passou para a Rede Manchete e fez: ” A Marquesa de Santos”. Em 85: “Tudo Em Cima”.Voltou para a Globo, em 1986 , e fez: ” Cambalacho”. E outra vez na Manchete em 86, participou de: ” Dona Beija”. Mais uma vez na Globo, fez em 87: ” Bambolê”. Em 89: “Top Model”. Em 90, foi para o SBT e fez: ” Brasileiros e Brasileiras”.Em 91, na Globo fez: “O Dono do Mundo”.Em 94: ” Acidente em Antares”.Em 96: ” Salsa e Merengue”. Em 97: ” Sai de Baixo”,um seriado humorístico . Em 99: “Você Decide”. Em 2001, fez a novela: “As Filhas da Mãe”.Em 2004, fez: ” Da Cor do Pecado” e “Senhora do Destino”. Em 2005: “A Lua Me Disse”. Em 2006: “Cobras e Lagartos”. Em 2007:” Malhação”, o seriado: “Toma Lá Dá Cá” e a novela: ” Desejo Proibido”. Em 2008, fez na TV Bandeirantes: ” Água Na Boca”.
Née en France, Jacqueline Laurence a suivi dans sa jeunesse son père, journaliste, au Brésil. Depuis 1955, elle joue au théâtre. Elle a été choisie pour interpréter des œuvres d’Albert Camus, Jean Genet, Miguel Falabella et d’autres auteurs modernes et contemporains. Depuis 1984, elle est également directrice de théâtre, une activité pour laquelle elle jouit d’une haute estime par les critiques. Jacqueline Laurence est également apparue dans plusieurs films et telenovelas de Rede Globo dans lesquels elle interprète souvent des rôles de femmes d’origine française ou des enseignants de langue et de littérature française.
Au début des années 1920, Henri Vicaire (malheureusement décédé 2018), artisan lapidaire et importateur de cristalleries de Bohème, est le fournisseur attitré de nombreux couturiers parisiens, toujours prêts à acquérir broderies et paillettes, artifices alors très en vogue. Talentueux costumier, Gérard Vicaire est décédé le 12 novembre 2018 à l’âge de 91 ans. Il avait dirigé pendant plus de 60 ans la maison Vicaire, fondée par ses parents et spécialisée dans les costumes et décors de spectacles. Cette maison créée en 1927 était spécialisée dans les costume de scène pour les plus grands cabarets du monde. Ses créations allaient du rideau de scène, aux costumes pour des revues en passant par les robes de spectacles. Gérard Vicaire, le fils de Simone et Charles, qui avait repris en 1932 l’affaire familiale est considéré comme le plus grand costumier de cirque. Jusqu’en 1992, date de la fermeture de la maison de couture (qui sera reprise 10 ans plus tard par Corine Valentin) G”arad Vicaire réalisera plus de 400 costumes qui seront sur les épaules des plus grands clowns du monde.Un Vicaire était plus qu’un costume de piste, c’était une œuvre d’art, une pièce de musée constituée de 100 000 à 150 000 paillettes toutes posées à la main selon une technique dite “Lunéville” consistant à saisir un fil (sur lequel sont enfilées des paillettes ou des perles),le tordre et le passer dans l’étoffe, pour former une maille ou un point de chaînette grâce à un petit crochet donnant un point plus régulier.
Et un clown renommé ne pouvait porter qu’un sac Vicaire sur une piste.Avec le décès de Gérard Vicaire c’est tout un pan de l’histoire de la piste du XX° siècle qui disparaît avec lui .
Gérard Vicaire a dirigé pendant plus de 60 ans la maison Vicaire spécialisée dans le costume de scène pour tous les plus grands cabarets du monde. Il a aussi travaillé pour habiller tous les grands clowns blancs de ce siècle. Un livre vient de sortir aux éditions chapitre douze sur cette figure emblématique des arts de la scène.
Sérgio Mamberti was born in Santos, São Paulo. ( September 3, 2021 – unfortunately passed away). He is a graduate of the School of Dramatic Arts of São Paulo, and has been a playwright for more than 50 years. He is brother of the deceased actor Cláudio Mamberti.
Affiliated to the Workers’ Party (PT), Sérgio occupied during the Lula Government several positions within the Brazilian Ministry of Culture:Secretary of Music and Performing Arts. Affiliated to the PT, Mamberti took a stand against the impeachment process of Dilma Rousseff . In 2018, he played his character Dr. Victor together with actors Pascoal da Conceição (Dr. Abobrinha) and Eduardo Silva (Bongô) to ask for votes from the then PT candidate Fernando Haddad . Also that year, he protested against the arrest of President Lula participating in the Lula Livre movement .
After the play in 1963, he joined the theater group Decision, along with names like Abumjara, Glauce Rocha and Plínio Marcos . For the group he participated in the play O Balcão de Jean Genet which earned him the Governor Award of the State of São Paulo, in the category ‘best supporting actor’.
In the 1980s, he played Galeno Sampaio in Rede Globo ‘s soap opera Brilhante . In 1984, he played King Claude in the play Hamlet , by the Englishman William Shakespeare organized by Marco Aurélio. In the same year, Argan lived in the play Tartufo , by Molière, sharing the play with Paulo Autran , under the direction of José Possi Neto . In 1998, he lived one of his most striking characters Eugênio , homosexual butler of Celina ( Nathália Timberg ), in the Vale Tudo deGilberto Braga .
Still in the 1980s, he was one of the founders of the Workers’ Party (PT) of whom he effectively participated in the process.
In the 1990s, he lived one of his most memorable characters Dr. Victor in the juvenile program Castelo Ra-Tim-Bum of TV Cultura .
After the election of Luiz Inácio Lula da Silva in 2002, Sérgio participated in the cultural part of the government, holding positions and participating in councils.
In 2013, lived the villain Dionísio in the soap opera Flor do Caribe . In 2016, he made his debut in streaming services in the 3% series produced by Netflix .
In 2017, he was honored at the São Paulo Legislative Assembly (ALESP) on the actor’s day. In 2018, he won the APCA Critics Grand Prize .
In 2019, it gained prominence in the play ‘The Golden Egg’ which tells the story of Jews who were forced to kill other Jews in Nazi Germany .
Filmography
Reference in acting, Mamberti is remembered for having represented many characters with strong personality. Among his most important and most remembered works by the public, it is important to highlight the cult cupbearer Eugênio de Vale Tudo , the sweet and wise Dr. Victor from the children’s program Castelo Rá-Tim-Bum and, more recently, the Nazi executioner Dionísio Albuquerque de Flor the Caribbean . In addition, he performed brilliantly in films , series , miniseries and other specials.
Awards and nominations
In 1962, he won the Moracy do Val award from the newspaper Ultima Hora in the category ‘revelation actor’ for the show Antígone – América. In 1964, he received the ‘Saci Award’ for Theater, which was organized by the newspaper O Estado de S. Paulo in the category ‘Best Supporting Actor’ for the play O Inoportuno.
In 1969, he received the ‘ Governor of the State of SP Award ‘ in the category ‘Best supporting actor’ for his performance in the play O Balcão. In the following decade he received more awards such as the Molière Prize in the category ‘Best actor’ in 1975 for the play Réveillon . In the previous year, Mamberti had been nominated for the same award in the same category for the play The Game of Power. Also play Réveillon won the category ‘best actor’ of the Governor Award of the State of SP, the APCA Award – Theater / São Paulo Association of Art Critics – SP and Veja SP Magazine .
As a director in 1982, he received the award for ‘Best show’ for his play Coração na Boca in an award ceremony in Rio de Janeiro . In 1989 he won the category of ‘Best Supporting Actor’ for the soap opera Vale Tudo in which he played Eugênio.
In the 1990s, in 1995, he won the Mambembe Award for ‘best supporting actor’ for the show Pérola. The following year, he won the Sharp Award for ‘best actor’ also for the play Pérola. In 1997, he won the APETESP Award for ‘best actor’ also for Pearl.
In 1998, he won the International Lumière Award. He also received the ‘Patrimônio de Bauru’ award from the municipality of the interior of the state of São Paulo.
In 2008, it received the highest cultural level award in the country Order of Cultural Merit (WTO).
In 2018, he received the APCA Critical Grand Prix .
Sérgio Mamberti resgata histórias de sua vida em autobiografia
O renomado ator, diretor, produtor e artista plástico, Sérgio Mamberti é o convidado desta semana no Fórum Sindical. Com personagens marcantes, Mamberti sempre se reinventou e transformou a arte brasileira. Sua carreira de mais de 50 anos no teatro, cinema e televisão se funde com a história da arte e da política brasileira. Agora, octogenário, escreve sua autobiografia em parceria com o jornalista Dirceu Alves Jr: “Sergio Mamberti: senhor do meu tempo”, publicada pelo SESC. Participam: o jornalista Altamiro Borges e Rubinho Giaquinto.
Art * Music* Architecture * Sciences * Cinema * Theater * Cirque * Forain * 